Agenda - Léontine Maridat-Zimmerlin

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Léontine Maridat-Zimmerlin

Kommende Vorstellungen:

Carmen - G. Bizet

Carmen - G. Bizet

Capitole de Toulouse

26th June to 6th July 2026

Role of Mercédès (all casts)

Carmen is the most popular opera in the world, and one of the most moving—a searing tragedy of a woman who confronts her fate to assert her freedom to the very end.

In 2022, Marie-Nicole Lemieux made a historic debut in the title role, despite the challenging context of the health crisis. To overcome that difficult time and to offer you once again, in the best possible conditions, Jean-Louis Grinda’s beautiful production, a swift revival was essential. This revival promises to be spectacular, with two exceptional casts and Leo Hussain at the podium, an ideal conductor in the French repertoire.
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Festival International de Colmar - Recital

Festival International de Colmar - Recital

Koïfhus - Salle Roesselmann (XIVe -XVe s.) Colmar

July 7th, Tuesday 2026

The Zimmerlin-Dechambre duo was born out of friendship and a shared love of music.

After working on several projects at the CNSMDP, Louis and Léontine found themselves in the same class at Génération Opéra 2025-2026. This marked the beginning of a long-term collaboration. The duo won first prize at the Clermont-Auvergne Opera Competition and performs regularly in a variety of programmes. Léontine Mardiat-Zimmerlin, an academician at the Opéra Comique 2024-2025, is an Adami 2025 artist. This new season, she is making her debut at the Capitole in Toulouse, the Théâtre des Champs-Elysées, and in Tenerife. For his part, Louis Dechambre is joining the Paris National Opera Academy for 2025-2026.

Gabriel Fauré: La chanson d’Ève, Op. 95 (ext. No. 1) – Paradis

Clara Schumann: Sechs Lieder, Op. 13 – Nos. 1 to 4 – Ihr Bildnis – Sie liebten sich beide – Liebeszauber – Der Mond kommt still gegangen

Gabriel Fauré: Trois mélodies, Op. 18 – Nell – Voyageur – Automne

Felix Mendelssohn: Kinderszenen, Op. 15 (excerpt), Träumerei

Piotr Ilyich Tchaikovsky: Six romances, Op. 73 (extract no. 6) and Op. 38 (extracts nos. 2, 3, 6) нова, как прежде, один

Piotr Ilyich Tchaikovsky: Six romances, Op. 38 – То было раннею весной – Средь шумного бал

Alberto Ginastera: Dos canciones, Op. 3 Canción a la luna lunanca – Canción al árbol del olvido

G. Enesco: Three Melodies, Op. 4 – Le désert – Le Galop – Soupir

Gabriel Fauré: Après un rêve, Op. 7 No. 1
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Recital for Meezo-Soprano, Piano and String Quartet

Recital for Meezo-Soprano, Piano and String Quartet

Pont-Croix

July 11th, Satudray, 2026

At the Pont-Croix Festival – Voice and Chamber Music (summer 2026), the Collegiate Church of Notre-Dame de Roscudon provides its warm acoustics for a recital where the voice meets the art of the string quartet: mezzo-soprano Léontine Maridat-Zimmerlin (nominated as Lyric Artist Revelation at the Victoires de la Musique Classique 2026) joins forces with pianist Gabriel Durliat and the Quatuor Hermès—winners of the Geneva Competition and quartet in residence at the Fondation Singer-Polignac—for a journey through French music, rich in poetry, clarity, and sweeping lyrical impulse. The programme (Saturday 11 July 2026) moves from Fauré to Debussy, Duparc to Chausson, and culminates in Ravel’s String Quartet, including the jewel of chamber song, Chausson’s Chanson perpétuelle for voice, quartet and piano.
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One, two, three voices

One, two, three voices

Montpellier, Salle Pasteur, Le Corum

July 16th, Thursday 2026, 12:30 pm

As part of the warm and welcoming Radio France Occitanie Montpellier Festival, Brenda Poupard, Anouk Defontenay and Léontine Maridat-Zimmerlin—three young singers, each gifted with a beautiful mezzo-soprano voice—will come together for a concert unlike any other. Selected in 2025 to take part in a masterclass led by Marianne Crebassa, herself a mezzo-soprano, the idea arose to invite them one year later to perform together, alongside their close musical partner, pianist Anne Pagès-Boisset. Although they share the same vocal range, their voices are strikingly different in colour, allowing them to alternate between solo, duo and trio numbers without ever giving the impression of a single voice simply multiplied two or three times. With music by Pauline Viardot, Bizet, Gluck and others, this programme offers a threefold exploration of the mezzo-soprano voice.
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